A county chief plots to buy Lenin's corpse and display it on a mountain — funding the scheme with a touring troupe of disabled villagers who sell their suffering as spectacle.

Why this book

Yan Lianke calls his art 'mythorealism.' Here he turns China's headlong rush toward wealth into myth — the sacred relics of communism put up for auction, and the broken bodies of the rural poor remade into a paying attraction.

The Story

High in the Balou mountains lies Liven, a village so remote the nation's maps forget it. Nearly everyone born there is disabled — blind, deaf, lame, or missing a limb — yet they live in easy plenty, needing nothing from the world beyond the peaks.

Then, in the blazing heat of July, snow begins to fall. A freak blizzard smothers the ripening crops in a single night. Therefore Liven, which had asked nothing of anyone, suddenly faces hunger as its harvest rots and freezes beneath the impossible summer ice.

The village is ruled by its matriarch, Grandma Mao Zhi — ancient, tiny, and iron-willed. As a girl she was a revolutionary, wounded in the war, who once believed the new nation would cradle the weak. But a lifetime of famines and campaigns taught her otherwise.

Long ago, Mao Zhi herself led Liven to join the wider commune and the nation, trusting its promises. Yet the decades brought only suffering to her people. Therefore she now nurses a single, stubborn dream: to withdraw Liven from society entirely, and let it vanish into peace.

Into this ruin strides Chief Liu Yingque, the ambitious ruler of the surrounding county. He is a whole, able-bodied man, hungry to carve his name into history. He walks Liven's frozen fields, but where others see catastrophe, he sees the raw seed of a magnificent scheme.

Liu's dream is staggering in its madness. He will buy the embalmed corpse of Lenin from a crumbling Russia, raise a mausoleum on Spirit Mountain to hold it, and lure pilgrims from across the earth. Therefore his destitute county will grow rich, and Liu will become immortal.

But Lenin's body carries an emperor's price, and Liu's county is destitute. He needs a fortune, and he needs it swiftly. Therefore his gaze settles upon Liven — upon the very disabilities its people have always hidden, which he now sees as gold waiting to be dug up.

Liu proposes a traveling troupe drawn from Liven's disabled, performing feats no whole person could match. Mao Zhi loathes the idea. But she is shrewd, and strikes a hard bargain: her people will perform — only if Liu swears to grant Liven's withdrawal from society in return.

So the villagers gather to prove their gifts. A blind man tilts his head and names each coin dropped a field away by the sound of its fall. A one-legged youth springs higher than any runner. Therefore Liu, watching, knows he has struck his vein of gold.

More step forward to earn a place. A deaf man lays a lit firecracker flat upon his ear and never flinches as it bursts. A polio-crippled girl embroiders a delicate flower onto a single living leaf. One by one, Liven's troupe of wonders takes shape.

Still others prove their worth. An armless boy peels and shells a heap of peanuts using only his nimble toes. A one-eyed woman threads a dozen needles by touch in the space of a breath. Therefore Liu's company swells into a full circus of the impossible.

The troupe sets out under a crew of able-bodied handlers — the 'wholers' — who drive the trucks, guard the swelling earnings, and stage each show. Mao Zhi sends her own kin among them, including her lovely great-granddaughter Huaihua, one of the few born whole in Liven.

Town after town, the troupe performs, and vast crowds pay to gasp at the marvels. The blind man hears, the deaf man burns, the crippled girl sews. Therefore the money pours in faster than anyone in Liven had ever dreamed a mountain of coin could rise.

Through a second touring season the fortune grows monstrous, packed into crates and guarded by the wholers. Liu counts it and glows. But the handlers count it too, and something hungry stirs in men who haul another's wealth night after night down the dark roads.

With the troupe's earnings, Liu raises his monument at last — a mausoleum of gold and marble crowning Spirit Mountain, a crystal hall built to cradle the corpse he means to buy. Therefore, as the memorial nears completion, the whole county holds its breath for the grand opening.

Yet the corpse itself still hangs in doubt, as distant Russia stalls and haggles over its fallen founder's body. Still Liu presses on, certain the deal will close. Therefore he throws open the finished memorial hall for a grand ceremony, summoning his troupe and crowds to its dedication.

But triumph curdles at the very gates of the hall. The wholers — the same handlers who guarded the troupe through two long seasons — turn on their charges. Therefore, in the moment meant for glory, the disabled performers find their own protectors have become their captors.

The wholers seize the performers as hostages and plunder the mountain of money the shows had earned. The blind, the lame, and the armless are herded together, helpless against the able-bodied men who had always driven their trucks. Therefore the celebration collapses into a hostage's nightmare.

Trapped at the memorial hall, the captives are starved and beaten. Their handlers ransom out every scrap of food and cup of water, forcing the crippled and blind to surrender the last coins sewn into their clothes. Therefore the shrine of Liu's dream becomes a den of cruelty.

Among the captives is Huaihua, Mao Zhi's beautiful great-granddaughter, one of the few born whole in Liven. The wholers set upon her, and she is raped. Therefore the girl who had been the village's shining pride comes away shattered, carrying a wound no plenty could ever heal.

Broken and robbed of all they earned, the survivors drag themselves back over the peaks to Liven. They had gone out to be marveled at; they return ruined by the whole, able-bodied men who ruled the world beyond the mountains. Therefore Mao Zhi's oldest fear stands proven.

Meanwhile Liu's grand scheme unravels entirely. Russia will not part with Lenin's corpse, and the gleaming mausoleum stands hollow upon the mountain. Therefore the dream that devoured Liven's bodies and earnings amounts to nothing — a golden tomb with no one inside to draw the promised pilgrims.

With no corpse, no crowds, and a plundered troupe, Liu's triumph turns to scandal. His superiors strip him of his office in disgrace. Therefore the man who reached for immortality is cast down, left to reckon with the wreckage of every life his ambition had used and broken.

Yet Mao Zhi holds Liu to his sworn oath. Ruined though he is, the promise still binds him, and Liven is at last granted its withdrawal from society — free to slip from the nation's rolls. Therefore the village wins the one thing its matriarch spent her whole life pursuing.

Her lifework complete, Grandma Mao Zhi lies down and quietly dies, content at last. The village she carried into the nation and fought to carry back out will now be hers no longer to guard. Therefore Liven must learn to keep its hard-won solitude without her.

And Liu, the whole man who traded the disabled for glory, is himself broken by his fall. Therefore he has his own legs crippled and comes to live in Liven — a disabled man at last among the very people he once bought and sold for his dream.

So Liven closes its gates upon the world and returns to its old, self-sufficient calm. The maps forget the village once more. The disabled tend their fields in quiet plenty, while the ruined schemes of the whole and the powerful lie scattered in the valleys below.

What it means

In Liven, blindness is no curse. The deaf sleep untroubled by thunder, the lame need not run, and every household tends its own grain and pigs. Therefore the villagers pity the frantic, 'whole' outsiders who must toil and scheme for what Liven already has.

On the road the shows swell into a dazzling carnival of broken bodies made glorious. The performers, pitied and hidden all their lives, taste applause and riches for the first time. Therefore even the wariest among them begins to believe Liu's mad dream might truly save them.

This is Yan Lianke's savage fable of a nation racing for wealth. It asks who is truly whole — the striving, exploiting world outside, or the 'broken' village that wanted only to be left in peace. Progress, it warns, can be the cruelest disability of all.

🎧 Read-along audio is being prepared — text-only for now.

Lenin's Kisses
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